Album DescriptionThe musical landscape is teeming with singer/songwriters, many of them quite capable, but only a handful have something truly distinctive to offer. Kate Voegele belongs in the latter category. Don't Look Away, Voegele's first full-length album (MySpace Records), is a revelation, as the 20-year-old writer/singer, belying her tender years, delivers songs of depth and insight with a powerfully seductive voice that maintains a fierce presence amid dynamic rock grooves and infectious pop hooks. Produced by the veteran Marshall Altman (Matt Nathanson, Mark Broussard), Don't Look Away is a bravura effort from an old soul with a youthful spirit; think of her album as a female parallel to John Mayer's Room for Squares--at once a zeitgeist-capturing landmark and the launchpad for a viable career.
The tracks range from the rootsy acoustic ballad "Wish You Were," with its mandolin and accordion filigree, and the sparse, piano-based "Kindly Unspoken" to the widescreen heartbreak anthem "Only Fooling Myself" and the ironically titled "It's Only Life," a soaring expression of female empowerment, which Voegele describes as "a motivational, uplifting song about dealing with situations rather than trying to hide from them." "One Way or Another" is an edgy rocker about romantic victimization, while the punchy "Chicago," she says, "is a metaphorical representation of any kind of escape, about just needing to get away. The line at the end of the chorus is, `I'll be on the seven o'clock to Chicago,' so it refers to a specific city, but it's universally applicable."
While the concerns Voegele touches on in her songs are contemporary, her sensibility is deeply rooted. Growing up surrounded by the music of seminal singer/songwriters like Carole King, James Taylor, Joni Mitchell and Eric Clapton, thanks to her musician father, Voegele absorbed everything she heard as if by osmosis, and began writing her own songs at 15. "It's my personal goal to continue the standard set by those before me," she says of her timeless approach. "No matter how a song develops, my main goal is to reach people, because there were so many musicians who spoke to me, and still do, to help me to deal with situations. It's so easy nowadays with all the technology for people to fake it. For me, it's just so important that the true musical talent and passion for the songs be there."
Poised, beautiful, armed with unforgettable songs and a voice to match, Kate Voegele is on the brink of something big!
best in 08 (Rating: 5 out of 5) ONE OF THE BEST VOICES TO COME OUT WITH AN ALBUM IN 2008 . HER WORK AS MIA ON ONE TREE HILL IS AWESOME .THE ONLY REASON TO WATCH O.T.H.IN 2008/2009 .
Very talented song writer, good singer. (Rating: 5 out of 5) I think she is a very talented song writer specially for her age. She also sing very good. The arrangement could be a little better. I am very surprised she is not more popular. I am not a young person and I don't buy CD often. This must be the first CD I bought in 2 years.
Excellent! (Rating: 5 out of 5) Thank god for "One Tree Hill" otherwise I wouldn't have discovered Kate's music! Love the whole album and can't wait for another one to be released.
A talented young singer (Rating: 4 out of 5) Kate Voegele is a talented young singer and song writer. Much potential as she continue to grow in her musical career. Her vocal may not be the strongest, but have a sweet delightful tone and will improve with time. She reminded me a little of a young Carly Simon... Appeared to play the guitar pretty darn good too. This album have a good vibrant pop quality and decent ballads... Too bad the CD version does not include the "Hallelujah" song which is available on MP3.
Very Enjoyable (Rating: 4 out of 5) This album is very good. There is not one bad song on it (and this is more than I can say for 95% of the CDs that I have). All of the songs have good, catchy melodies and are very enjoyable to listen to (if you like pop-rock music).
As one or two reviewers pointed out, her voice is not the best. There are plenty of other pop-rock singers her age with a better voice. But I'd take an OK voice on good songs any time over a great voice on bad songs.
Give her a chance. Don't let her disappear among the field of young female singers/songwriters. You would not be disappointed.