Virginia’s Shenandoah Valley is a long way from Hollywood. And that’s exactly how Cilla McGowan wants it. Cilla, a former child star who has found more satisfying work as a restorer of old houses, has come to her grandmother’s farmhouse, tools at her side, to rescue it from ruin. Sadly, no one was able to save her grandmother, the legendary Janet Hardy. An actress with a tumultuous life, Janet entertained glamorous guests and engaged in decadent affairs—but died of an overdose in this very house more than thirty years earlier. To this day, Janet haunts Cilla’s dreams. And during waking hours, Cilla is haunted by her melodramatic, five-times-married mother, who carried on in the public spotlight and never gave her a chance at a normal childhood. By coming east, rolling up her sleeves, and rehabbing this wreck of a house, Cilla intends to find some kind of normalcy for herself.
Plunging into the project with gusto, she’s almost too busy to notice her neighbor, graphic novelist Ford Sawyer—but his lanky form, green eyes, and easy, unflappable humor (not to mention his delightfully ugly dog, Spock) are hard to ignore. Determined not to perpetuate the family tradition of ill-fated romances, Cilla steels herself against Ford’s quirky charm, but she can’t help indulging in a little fantasy.
But love and a peaceful life may not be in the cards for Cilla. In the attic, she has found a cache of unsigned letters suggesting that Janet Hardy was pregnant when she died—and that the father was a local married man. Cilla can’t help but wonder what really happened all those years ago. The mystery only deepens with a series of intimidating acts and a frightening, violent assault. And if Cilla and Ford are unable to sort out who is targeting her and why, she may—like her world-famous grandmother— be cut down in the prime of her life.

I like Nora Roberts, I did enjoy the characters though it was very predictable. Not one of her best at all, but I will still pick up a book of hers to read regardless. Less just hope the next book I cannot put the book down!

From Hollywood to the Shenandoah Valley, Cilla McGowan, former child star, returns to her former movie star grandmother, Janet Hardy's, "Little Farm" in Virgina. All too soon she finds out that someone holds a vendetta against her now deceased grandmother and is taking it out on Cilla. She has returned "home" to pay tribute to her grandmother's old and battered farm and make it her own. Having a background in flipping houses, Cilla sees this old house and its surrounding property being restored and making it her own, however, someone else wants her back in Hollywood. Nora once again weaves a beautiful and suspenseful story. The description of the "Little Farm" and the work that Cilla puts into it is so clearly visualized to the reader, that you can almost see the home being restored. The climax to the mystery will take you by surprise, however, the book keeps moving from the very beginning, never slacking, as our heroine has flashbacks and dreams of her famous grandmother and days gone by. Ford Sawyer, her graphic artist neighbor and Cilla McGowan are an intriguing duo. I really enjoyed Cilla's mom, Dilly, and her Beverly Hills drama; it brought some very well-done comic relief to a serious story. Cilla's bonding with her estranged father was nothing less than heartwarming and played out in a very realistic manner. "Tribute" is a compliment to Nora Roberts and a gift to her readers.

This is another in a long line of excellent stories by Nora Roberts.
Can't say enough about her abilities as the best story teller of our time! Recomend this book to everyone who enjoys a good read. AAAAA!

I normally enjoy Nora Robert's books and was looking forward to reading this one. Unfortunately, this was very disappointing. First, the lead female character flips houses and I think 50% of the book was devoted to a discussion on how she is rehabing the house. In GREAT detail. It was almost to the level of a how-to book. Second, the two lead characters were both formulaic, boring, and perfect. The female was predictably "finding herself" while the male lead was the perfect, understanding, funny, and patient mate. The dialogue was boring, rehearsed, trite, and WAY too witty. Absolutely unrealistic. I found myself skipping through pages near the end, which is normally the best part of the book. The climax was predictable and formulaic. I was very disappointed and unfortunately felt like I wasted my time reading this book. I never feel this way reading books. I hope she changes her style, focusing on quality instead of quantity. I look forward to better books by her in the future.

I normally enjoy Nora Robert's books and was looking forward to reading this one. Unfortunately, this was very disappointing. First, the lead female character flips houses and I think 50% of the book was devoted to a discussion on how she is rehabing the house. In GREAT detail. It was almost to the level of a how-to book. Second, the two lead characters were both formulaic, boring, and perfect. The female was predictably "finding herself" while the male lead was the perfect, understanding, funny, and patient mate. The dialogue was boring, rehearsed, trite, and WAY too witty. Absolutely unrealistic. I found myself skipping through pages near the end, which is normally the best part of the book. The climax was predictable and formulaic. I was very disappointed and unfortunately felt like I wasted my time reading this book. I never feel this way reading books. I hope she changes her style, focusing on quality instead of quantity. I look forward to better books by her in the future.