Leave it to composer John Corigliano and violinist Joshua Bell--two of biggest names in classical music--to team up and create one of 1999's best soundtracks. For many, the soundtrack to The Red Violin was just as impressive as the film, a moving blend of gypsy, folk, and classical compositions. --Jason Verlinde

Normally we think of a musical instrument as a passive object in the service of a performing artist. But what if that instrument is itself a work of art, containing the secrets of the various owners through whose hands it has passed over the centuries? That's the premise behind this intriguing film by François Girard (director of 32 Short Films About Glenn Gould). It traces the story of a legendary violin (thought to be possessed by an immortal soul) from its birth in 17th-century Italy through Mozart's Vienna, Victorian England, and revolutionary China to its present-day fate on the auction block. The score, in suggesting the violin's unique aura, therefore carries much of the burden of the story, and it brings together some of the most outstanding talents in contemporary classical music. Composer John Corigliano's richly eclectic and poetic score--encompassing classical elegance, gypsy passion, and angst-ridden harmonies--etches vivid portraits of the film's various epochs but also gives an overarching sense of unity to the episodic character of the script. It's essentially a set of remarkably imaginative variations for violin and orchestra on a theme of haunting pathos and is a substantial work of music in its own right. As the soloist, Joshua Bell saturates the eponymous instrument with personality. His combination of virtuoso bravura and soulful phrasing almost seems to lead the violin to the brink of human speech. Conductor Esa-Pekka Salonen shapes the exchange between orchestra and violin into tautly dramatic dialogue. The disc also includes a powerful related work on the theme used in the score, the Chaconne for Violin and Orchestra, which confirms Corigliano's status as one of today's leading and most personally communicative American composers. --Thomas May

The violin in this is very lovely but also very sad and is profound. Those who play the violin or have a great care for music itself will enjoy. For those who do not they will not be so graced by the journey that the music brings. Although the music very sad in most part's it is very compelling. So to conclude buy it if you enjoy the movie or enjoy the classical music.

To hear it is to love it. If you like the sound of the violin you will love Joshua Bell playing it.

I have five copies of this soundtrack for various places I spend most of my time at. It's beautiful and haunting. Number 16 makes my heart ache.

There are soundtracks that are wonderful to listen to without the movie, such as Ladies in Lavender, and there are soundtracks that go very well while watching the movie. The Red Violin is not as pleasing without the film. With having said that, Joshua Bell does deserve compliments for his excellent skill.

There are soundtracks and then there are Soundtracks. There is music, and then there is Music. This cd falls in the latter category, it is a perfect, powerful, haunting, enchanting, beautiful, ethereal, peaceful and yet sometimes frightening, mixture. It evokes so many emotions.

I admit that I have not watched the movie, but I was blown away by the soundtrack. Great, great album. If you love classical/crossover music than this is a must have. I loved it! Highly recommended!